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Escape plan band chinese11/2/2023 But The Ocean don't settle for being doomy. When a band succeeds at setting the mood with such simple means, all forms of acrobatics become secondary, possibly even redundant - the audience is already engaged through immersion. All of the beauty and all of the rage of the farthest, most mysterious seas is captured brilliantly by quiet, lingering melodies, deep excursions into the progressive, and periodic explosions of noise, with each segment complemented by equivalent light effects. Performing mostly as silhouettes engulfed in blue-green light, the band creates a fantastic atmosphere - one, which mimics the characteristics of an actual ocean. The Ocean places huge emphasis on the visual element of their show. With such fine acts on the bill as well, the trip should be worth the money, time and effort, but were their performances? Read on to find out. Nobody likes to perform to a cold crowd though, and for warming-up purposes the mathcore legends have tapped support bands from other ends of the genre: German progressive hardcore collective The Ocean, and Canadian hardcore punk n' rollers Cancer Bats. Myself and photographer Lykke have dutifully made the trip from Copenhagen to bring you this coverage as promised. Consider it another singular success.Meanwhile in Hamburg, little girls were few and far in between as Markthalle prepared to host the menace known as The Dillinger Escape Plan. The title might be an acknowledgment of the temptation to repeat a winning formula, but Option Paralysis stretches its makers’ imaginations and abilities superbly. Widower is a break in the bombast, the closest this band will ever come to an unexpectedly tender, lovelorn ballad. Good Neighbor’s dramatic motifs recall all-action cues from James Horner’s Aliens score, and Chinese Whispers finds Puciato on imperially adversarial lyrical form: “Everything that you cling to will not last.” One can hear the line as a middle-finger rebuke to the persistent few who bemoan Dillinger’s melodic tangents, likewise the barrage of put-downs that pepper Gold Teeth on a Bum but such assessments are the indulgence of the individual, only the author certain of true informing factors. It’s a song of several movements, vocalist Greg Puciato switching between a Mike Patton-style croon to an eye-popping scream, while frenetically-fingered lead guitarist Ben Weinman – the sole remaining founder member – delivers the kind of six-string master class befitting a band long-celebrated for their inspired, innovative arrangements.įrom the opener, onwards, the assault (pleasingly) rarely relents. But the hardcore are going to be blown away all over again.įarewell, Mona Lisa introduces ears to the Dillinger of the present: it’s the kind of glorious cacophony that emerges so very rarely, one that seems to encapsulate in five minutes everything achieved by its makers to date. Those with penchants for more perfunctory riffs may still come away puzzled by the band’s amazing following, despite what could be (again) seen as concessions incorporated to lure beginners to the cause. Like its immediate forebear there are sounds that hark back to the band’s debut, 1999's Calculating Infinity but just as with Miss Machine, this effort never bypasses a cracking chorus for the sake of spinning the senses. The past is both right and not: while the group, in their earliest incarnation (they’ve been through their share of members), essentially defined mathcore, a metal strand focusing on detailed dissonance, as their albums have passed the music has significantly evolved.Īlbum two, 2004’s Miss Machine, was the first introduction to a Dillinger with a taste for melody, and Option Paralysis – album four, after 2007’s acclaimed Ire Works – is another long-player where accessibility isn’t entirely absent. The past paints New Jersey’s The Dillinger Escape Plan as an impenetrable force of everything-against-nature, a combo whose combustive riffs were characterised solely by their mind-melting complexities.
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